Chiranjeevi

A Script for Chiranjeevi’s 150th Film

There have been reports in the Telugu film circles that Chiranjeevi (lovingly called MegaStar by his fans) has been looking for a script for his next film – his 150th.

However, if our brothers at film channels are to be believed, the right script seems to evade the makers.

As we all know, every big budget Telugu film is completely different from the other. They all have completely different plots and characters, and one could never predict how things are going.

Along these lines, may I humbly present a possible script for Sir’s next film. This script, needless to say, is completely new, and fresh. Like the dew drops on Soundarya’s navel in the famous song Jabilli…sorry, I am getting carried away here.

Here is the script.

*

The film begins with a flashback, shot in grim tones of sepia or greyscale. A child is watching from behind a wall, scared. He must be about 10, clad in a white shirt and brown knickers.

Across the wall, a group of men have encircled a middle aged man. Trapped within the circle, the middle aged man holds a metal rod in his hands, just as the circle gets closer around him. We see a man watching coldly from a distance, a man with a thick moustache, white shirt, and thick gold chains around his neck.

Close up of the boy’s face – he wipes off the rain from his eyes, as they grow wider – KHACHAAK!! – blood splatters across his face. Through the reflection in his eyes, we see the man has fallen to the ground, the metal rod lying limp next to him. The boy covers his mouth to stop himself from crying, as the goons leave the scene.

The screen fades to black, as large letters spread across the scene –

ROWDY BAABAI.

*

We now have the intro song.

Sir has grown up now. We have a nice song with Kali Mata’s procession in the background. Sir is dancing along with his friend Ramesh, and other friends from the colony.

He is Muruga – The Fearless.

The intro song introduces Sir as the youthful, bubbly star that he is. 

Then, Sir meets heroine – Suvarnalata.

She is a demure, silent girl. She doesn’t like love, doesn’t believe in it. But one day, a dark man tries to touch her on the way to college. Muruga reaches the scene and beats him up, and Suvarnalata notices him for the first time.

When she goes home, she is thinking – ‘Do I love Muruga?’

She is dressed in a pink nightgown, and we show the innocent beauty of a girl through a song.

First para, she is sleeping on a rose bud – not flower, only bud. ‘Why do I feel like this?’ she sings. And then, Muruga enters from the right. Suvarnalata looks at Muruga, and the rose bud under her slowly opens up into a rose flower.

In the second para, as she is sleeping on the rose flower, Muruga jokingly pinches her navel, and a pigeon comes flying and lands on it. Muruga keeps a grape on her navel, which the pigeon picks up and eats. Suvarnalata hides her face abashedly.

In the third para, Muruga pinches her navel, and then slowly climbs up on her. He balances on her navel and starts doing Yoga on it.

By the end of the song, Suvarnalata and Muruga are in love. 

*

Next, villain’s entry.

Suvarnalata is walking home one day, when SCREEEEEECH! – a jeep parks in front of her. A few goons step out, pull her into the vehicle, and zoom off. The heroine calls out, but nobody responds – women of the neighbourhood close their doors in fear. Frantically, the heroine pulls off the golden chain from her neck and flings it on the road.

The hero returns home, and sees the chain lying on the floor. He picks it up, looks at the heavens and screams – SUVARNALATAAAAAAA !

He then looks down at the tyre tracks and begins running in the direction of the Jeep. We show time and distance passing quickly, as the hero runs and runs and runs, till he reaches the Jeep.

He leaps over a car and lands atop the Jeep, shattering the windows and windscreen. The goons step out, one of them holding Suvarnalata by the hair. Muruga pulls out the exhaust pipe from the bike and clobbers them one by one. He pulls Suvarnalata out from their grasp and holds her close to his chest.

Just then, a phone rings, it’s the villain calling one of the goons. Muruga bends down to pick up the phone. Then, full punch-dialogue takes place between the two.

We see that the villain is the very same man who killed the school teacher in the first scene. They talk to each other, full punch-dialogue.

‘You are a small fish in the aquarium. I own the sea inside which there is a submarine, inside which the aquarium is placed’.

‘I am the lion who eats buffalo meat twice a day, you are only a zebra. When I reach you, you will have stripes of black, white, and red’.

‘I am the sun, you are the eclipse. You scissors, I rock’.

‘Jaya jaya hey Mahishasura Mardini Ramya Kapardhini Shaila Suthe’.

‘Jingalala ho, jingalala ho, hurr hurr hurr’. 

By the end of the conversation, the hero and villain throw open challenges to each other. Then, they accept each other’s challenge. 

Now, we meet the second heroine.

She is modern, bubbly, wears shorts, and shows her navel to the world. She sees the hero when he is rescuing a small beggar kid from the footpath, and bites her lower lip in passion.

This modern girl – Mona – wants the hero very badly, but Muruga only has feelings for Suvarnalata. Mona sings a song for Muruga to get his attention – ‘Sex, sex sex. I want sex. Gimme gimme sex, ra bulloda‘.

But Muruga only smiles and pinches her navel.

Here, we also have the Comedy Track. Brahmanandam plays an astrologer who cheats people. He reads their hand and makes a prediction, which his sidekick immediately executes. For example, he tells a woman that if she doesn’t hand over her gold chain, it will start raining. His friend is sitting on top of the tree and he pours a bucket of water on her LOLOLOL.

Brahmanandam tries to con Muruga, but he smashes his skull in with a PVC pipe. 

Muruga is walking home when he smells some food cooking. The wisps of smoke enter his nose and send electric shocks through his body. His eyes well up with tears and he begins to look around frantically.

He runs in slow motion, the smell getting stronger and stronger, stirring memories from his childhood. He keeps running till he reaches a small hut. From inside the hut, an old, blind woman steps out. She is frail and poor, and when she senses the hero standing in front of her, she calmly calls out – ‘Muruga, it’s you, isn’t it?’

Muruga walks towards her, and falls down at her feet. It begins to rain as he weeps, holding her feet. Yes saar, you guessed it right – the old woman is none other than his Mother.

She calls him into the house, and we see that he also has a sister. She is a young girl, wears salwar-kameez, and ties her hair up with a ribbon. She also starts crying profusely when she sees Muruga.

Mother makes Muruga sit on her lap on the floor and feeds him with her own hands. Muruga is overwhelmed – it is the same taste, the same flavour. His tears continue to flow like Godavari river. 

*

Suvarnalata sees Muruga on the road, giving a lift to Mona. She feels jealous and decides to teach Muruga a lesson.

When Muruga returns home, she slowly takes off her clothes one by one, and puts on a jeans and T-shirt. She is looking very fresh and juicy, our mango crazy. He smiles a coy smile, and – cut to song.

Muruga is dancing with both the heroines. He is in the middle as both Suvarnalata and Mona are dancing for him. This is full rocking-folk song. Lyrics are – ‘Bring your sugarcane into my machine. I will take out your juice and drink it. Bring your cucumber into my kitchen, I will chop it and eat it’.

Then, again Comedy Track.

Brahmanandam finds the hero walking on the road and decides to cheat him again. This time, he’s dressed as an LIC Agent and promises to give people five times their investment in a week. He narrates the same story to Muruga, who picks up a cycle chain, smashes him with it, and ties him up to a tree LOLOLOL.

*

Muruga gets a call from his friend Ramesh (who was seen dancing with Muruga in the intro song). Ramesh informs Muruga that the villain – Surya – was seen trying to set fire to their basti

Muruga immediately rushes to the scene and finds the villain there. He single-handedly beats them all to pulp, but the villain escapes in the last minute.

While escaping, he turns around and fires a bullet. Ramesh sees it and rushes to save Muruga, and is felled down by the bullet. Muruga screams and rushes out to hold Ramesh, who is spouting blood from his mouth. He smiles at Muruga, runs a blood-stained hand across his face, and says ‘I couldn’t do it, my friend. You do it for me. Kill him, cut his body, and feed it to – aaaaaaa…breathes his last.

Muruga is devastated, and looks up at the sky (aerial shot), as it begins to rain. 

Suvarnalata calls Muruga and asks him to meet her. They meet on her terrace and Rain Song starts.

In the first para, they are dressed in traditional dresses. In the second para, the heroine is dressed in Apsara costume. Muruga makes her lie down on a bed of roses and eats fruits off her navel.

In the third para, we have a folk setting. The heroine is dressed in a half-saree and Muruga in a kurta-lungi. At the end of the song, he drives a tractor across Suvarnalata’s navel. 

Brahmanandam again comes to Muruga, this time dressed as a scientist who tells people that gold and silver ornaments are bad for the skin. Many people are fooled by Brahmanandam and his assistant, till they meet Muruga.

Muruga brings out a chainsaw and cuts through Brahmanandam. He then douses the body parts with petrol and sets him on fire LOLOLOL. 

*

Back to action.

Muruga is returning home, as he sees a circle of people around his house. He walks up to the circle, to find that the villain has raped his sister. She lies on the floor, the sleeves of her dress torn open.

Mother is wailing next to a pillar, and the hero rolls his fist into a ball. We see a nerve running up from his wrist, all the way up to his neck. There is thunder and lightning, and Muruga looks up at the sky and screams – SURYAAAAAAAAAAAAAA.

Surya is sitting in his house, on a swing. There are 20 Tata Sumos outside the palatial building. The hero walks into the building all by himself; the wind is making his hair fly in slow motion.

Muruga kills all the goons with his bare fists. Some of them fly into walls nearby, the others lie limp on the ground. The hero keeps doing it till there are only two men standing – Muruga and Surya.

They are in the courtyard now. Surya takes out a gun and shoots Muruga. He stumbles backward and falls down. Life is slowly leaving his body, when his fingers feel something on the ground.

Using blood-soaked fingers, he digs into the mud, and lo and behold! – finds the metal rod that his father had held in his hands. As Surya is smiling a smug smile, Muruga stands up, runs towards him, and spears him with it.

Surya is dead. Muruga falls and down and cries. This was the same spot where his father had died. Life has come a full circle.

Muruga draws a full circle with the metal rod and plants it in the middle.

*

Back in the house, Muruga is standing next to his mother.

Suvarnalata walks in dressed in a saree, and Mother blesses her. Suddenly, Mona walks in too, also wearing a saree. Mother looks in the direction of Muruga, smiles, and blesses her too.

Camera pans up to the wall, and there is a photo of Tirupati Balaji with two wives standing next to him. All three of them are smiling happily.

The whole family smiles in a snapshot, as the words appear on the screen – ITS JUST THE BEGINNING.

 

***

27 thoughts on “A Script for Chiranjeevi’s 150th Film

  1. gsk

    How about a positive review for films like Kanche, Mithunam, Minugurulu etc.. instead of cribbing about Sultan, Kabali and Chiru’s 150th film?

    Reply
    1. Hriday Ranjan Post author

      I plan to, man. I was a little caught up with my thesis, and I plan to review more Telugu and Tamil films a lot more. Please do read them and give in your feedback!

      Reply
      1. gsk

        Thanks bro. Watch this film called Sira on Youtube by Tanikella Bharani. It is a surrealist work on Terrorism. His movie Mithunam has only two characters in the entire film. Brilliantly tag lined as “Our parents’ love story”. After watching the trailer of the film Minugurlu,(a story of a bunch of visually impaired kids in a shelter home) I desperately wanted to watch it in Theatres but couldn’t. A lot of good films will sustain if our audience also encourage good stuff. And if you are bored with this routine stuff many Tamil and Malayalam movies are really good, IMO. My main point was that negativity sells more and faster. Hence, it is more important to talk about good stuff more often to give both of them an equal chance 🙂 BTW, thanks once again for the positive review on Pelli choopulu. Am yet to watch the film but am sure it is good.

        Reply
  2. Ravi Kanth G

    Completely new story just like every other movie! I don’t know how many movies you endured to remember all the facets u included! I got to know recently that it’s a particular well known director who loves to objectify women as budding flowers n juicy fruits in the songs… I usually catch a quick nap in the introduction songs…

    Reply
  3. sdorttuii plmnr

    I really like your blog.. very nice colors & theme. Did you create this website yourself or did you hire someone to do it for you? Plz respond as I’m looking to construct my own blog and would like to know where u got this from. thank you

    Reply
  4. Nora

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    Reply
  5. Nishaanth Jsr

    You nailed it dude. Loved every bit of it. You should write more about the telugu film industry, the most nepotistic and caste ridden in the world churning out crap every year in the name of entertainment.

    Reply
  6. Vinayak Singh

    Hahahahah. ROFL. Well this piece was an art my friend. I still have water in my eyes from that insane laughing. I believe this should make it to the “Hall Of Fame” of your blogs alongwith the blog on Uday Chopra. They are artwork.

    Regarding the script for the 150th movie of Saar. I believe this is more than a great script for his movie. If I was you, I would send this to Saar

    Reply
  7. findingnimi

    Well whatever scripts Chiranjeevi choooses for his 150th film [ I wish he chooses urs ] , I love watching South Indian movies , stunts in the movies , the role of actresses , and character of brahmanand . Me and my brother just can’t stop laughing when we watch such movies.

    Reply
  8. krishna kartik

    “By the end of the conversation, the hero and the heroine throw open challenges to each other. Then, they accept each other’s challenge.”
    This typo (heroine instead of villain), intentional or not, is also funny!!

    Reply

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