Monthly Archives: July 2017

Saif Ali Khan dancing in Keemat

I want to smoke what Saif is smoking

I always thought Saif Ali Khan was a chill dude.

Just going about his job as a 50 year old man playing a 25 year old man. A man who stayed away from Bollywood bullshit. Who sits in his haveli and plays the guitar, sips on French wine and probably wears satin underwear – a nawaab among kabaabs.

I don’t care too much about the ‘Nepotism rocks’ controversy. Or for any controversy for that matter. I am at an age where nothing can faze me anymore. When Linkin Park’s frontman died, I felt bad for a few seconds. As mourning, I ate one idli less and didn’t ask for onion chutney. My cold heart has been turned to stone in the heartless world we live in.

Also, I understand that scripts for award shows usually begin pure like Gangotri – and end up like the Hussain Sagar lake, thanks to the inputs of actors, writers and event producers. I wrote the script for Filmfare South Awards this year and somehow, we ended up having a dark guy dressed in a saree on stage accepting the ‘Black Lady’. So I know. I get it.

I am also familiar with the life of a controversy.

A controversy first erupts on Twitter, and is picked up by BuzzFeed and ScoopWhoop, those two beacons of journalism who put the ‘nali’ in journalism. It appears on my news at 9 AM, fresh and hot like blessings from Gomata on a national highway.

Slowly, opinions are shared. First, from that one person who is unnecessarily vocal about issues (if you’re on my list, I’m that guy!). Then the issue slowly dissipates to second level social news aggregators – like Being Indian, Sarcasm, and Bahut bhook lagi hai, subah subah thoda tatti khila mujhe. By lunchtime, it has become the OUTRAGE OF THE DAY. Our half an hour contribution to nation building under the Pradhan Mantri Jio Phone Lo, FB pe haggo Yojana.

By the next day, nobody gives a shit.

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Then I saw the open letter and was tempted to read it.

I imagined the letter to be a nuanced, thought out treatise. A well-read man writing out a regal letter, sitting on his porch with his pooch while twirling his mooch. Royalty coupling with satin underwear to produce a beautiful, thoughtful letter.

What it was though, was a man sprawled on the footpath after gulping down a bottle of Director’s Special Premium XXX Brand Whiskey. A man who has run out of cigarettes and has had to smoke a pack of Ball Beedi.

saif dopp main

His retort was absurd, fantastical and tangential to the point where it got excruciating. It was so full of shit, I had to cleanse my screen with Harpic Powerplus Toilet Cleaner.

Screen Shot 2017-07-24 at 2.22.14 AM

So far so good. But Nawaab has just lit the joint and taken a puff of the strong stuff. He inhales deeply, his royal lungs filling up with the white smoke, only to float out of his royal nose gracefully.

Nawaab saab closes his eyes for a few moments, ponders on the meaning of life and then wonders what he has to say. Kya Kehna?

Let’s see…

Screen Shot 2017-07-24 at 2.23.38 AM

This is where things get a little icky. Firstly, the analogy of race horses doesn’t make any fucking sense. Race horses are bred with the single aim to run courses. Are you seriously telling me that’s what goes in human’s minds when they look for partners? That we think not with the nuanced intelligence and empathy of human beings, but in terms of pedigree of race horses? By that logic Kim Sharma and Umesh Yadav must produce the finest children in the country? Are you even fucking serious?

Not only is Saif pleased as punch with his philosophical analogy, he goes on to give some shit to a poor reporter from Elle. To read a book and improve her vocabulary – which is all fine advice. Only, she’s a writer who contributes articles to internet magazines. You own a town.

A fucking town! You’re the ruler of a place in the largest democracy in the world! Anybody who is the Nawab should stay away from discussions on nepotism, man. And you’re lecturing a girl some 20 years younger to you to read books? Could you be a little less cocky, Mr. Dicky Malhotra?

Saif Ali Khan then proceeds to light the joint again (for it might have gone off with all the brainwaves that crash at the banks of his brain. So he lights the joint and comes up with more gems through the night.

Like this bit:

Screen Shot 2017-07-24 at 2.25.06 AM

What the fuck are you talking about? Three systems at play? Aristocracy, meritocracy, democracy? What the fuck is this? Chandrakanta??

I always thought Saif Ali Khan was a deep, philosophically intelligent man, but now I realise it was always Kareena Kapoor who said so! And her opinion can be taken with bags of NaCl. But then NaCl ke liye bhi akal chahiye!

Nepotism cannot work in the film industry because it is a democracy? So where will nepotism work, wise one? The People’s Republic of North Korea? Do you even read what you write, O! Nawaab of Kabaabs?

What genetic investment are you talking about?

You of all people shouldn’t be talking about nepotism. Your debut film was symbolically called Parampara. In a space of four years, your character was named ‘Raja’ in four films, ‘Prince Vijay’ in one, and another film was called Ek Tha Raja! And you own a fucking town, man!

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What sort of genetic investment went into Bambai ka Babu, Surakshaa, and Aao Pyar Karein? What investment philosophy is this? Rich Dad, Poor Dad??

You won a National Award for Best Actor for Hum Tum. Not Manikchand Superstar of the Year Award – the NATIONAL AWARD. For Hum Tum, a film that was shamelessly copied from the legendary Hollywood rom-com When Harry Met a Shitty Scriptwriter. Your mother Sharmila Tagore was the Chairman of the Central Board of Film Certification. Hum Tum? Are you fucking kidding me? 2004 was the year of films like Swades, Lakshya, Yuva, and Ab Tak Chhappan. And you won it for Hum Tum. And you’re lecturing a 20-something writer to read more books?

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What does that bit about Johnny Depp’s advice even mean? Never complain and never explain? You just complained and explained a fucking 1000 word slob-fest. And what do you mean when you say you have forgotten his advice and you’re never going to forget it again? Does that sentence make sense in a different dimension? The one in which Kachhe Dhaage exists?

And now we are supposed to root for fucking Arjun Kapoor? The guy has the acting range of a drunk hippopotamus? Why don’t you just go ahead and tell us which design of Amul Macho underwear we need to buy too?

You get to play the lover boy opposite actresses half your age, even though the film has all the realism of a Saavdhaan India Weekend Dhamaal episode. You get to play guitar with Parikrama with skills that are marginally better than a 3rd year IIT student’s. You get to strum G-A-D-C chords on a guitar and pretend to sing songs along with Pritam Chewbacabarty on a music awards show. AND, YOU’RE THE KING OF A FUCKING TOWN!  

The truth is, you got to act in 25 films before Dil Chahta Hai. 25 films! Most actors in the country would give their arms, balls, and liver to get to act in 25 films. You got to live the life of a superstar while sucking gloriously at your job. And I don’t know if you realised it along the way of all the beautiful books you read (which the writer for Elle didn’t). That you lead a life of privilege.

Kangana Ranaut has no such luck. She will not get producers making ‘genetic investments’ in her career for twenty years, while she pathetically flaps about with bigger stars for a hit. To go up on stage and perform a gag is one thing. But to write an open letter from a closed mind, to give vague analogies of race horses and genetic investments – proves you’ve clearly been reading the wrong books. May be if you picked up the latest edition of Elle, you would see the number of actors who struggle to get films.

So kindly shut the fuck up about nepotism. Smoke some cigars, order satin underwear on Zivame, and go the fuck to sleep.

And oh, pass me your dealer’s number, will you, Raja?

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Indian Womens Cricket final PC- sportswallah.com

Stop Patronising the Women’s Cricket Team

After decades of single column articles in newspapers, Indians suddenly started watching women’s cricket.

After decades of pay disparity, subpar facilities, and step-motherly treatment, Indians suddenly woke up, had a lazy Sunday lunch and decided to do their bit for the nation by watching the finals of the Women’s Cricket World Cup. There can be two explanations for this.

  1. The recent rise in jingoism among India’s urban middle class. The habit of going online and screaming slogans and bullying everybody who criticises the country. A lazy, shitty trend where Indians think they’re protecting the nation’s image by spewing venom on social networking sites, while Mark Zuckerberg smiles in his bed every night.
  1. Mostly sexist or patronising bullshit about how ‘India’s daughters’ are no less than India’s sons, or articles and videos about how pretty the women cricketers are.
Winner of the Miss Malini Terrific Journalist of the Year award

                                       Winner of the Miss Malini Terrific Journalist of the Year award

 

Or take for example this tweet by Rishi Kapoor – a man who is 10th pass, has led a life of privilege, and spends his evenings drunk on Twitter – but has been made a social commentator by the brains in Indian media.

Aila! Barfi ka baap sexist gaandu hai

                                                  Aila! Barfi ka baap sexist gaandu hai

Stuff like this makes you question if the following Indian women’s cricket is receiving is actually for the better. If it’s worth it. So when my friend switched on the Indus Valley civilisation television in the room, I began watching the match with mixed feelings.

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By evening, my timeline was flooded with a mishmash of hashtags, pictures, and wishes for India’s daughters. Mostly patronising bullshit on the lines of ‘Hey good job, we are proud of you’ and ‘Mhari chhoriyaan chhoron se kam nahi’.

Honestly, I don’t know if these guys really watched the match, or have any understanding of the sport of cricket. Because the finals was actually a terrible match. India worked hard to wrest the match from their erstwhile colonisers, only to squander it all away with amateurish strategy in the final lap.

In case you missed the match, this is what happened.

England opted to bat first, scoring 228 – a score many would consider sub-par with India’s in-form batting line up. In response, India’s innings played out like a Sanjay Leela Bhansali movie – interesting in the beginning, but making you question your time management skills by the end.

There couldn’t have been a better example of ‘throwing away a match’. Mithali Raj had to sprint for a dangerous single, and didn’t bother even dragging her bat or putting in a dive. Smriti Mandhana looked like she had taken the earlier article seriously and sent in Disha Patani to bat for her. Harmanpreet Kaur played an almighty heave just after reaching her 50, in a final no less! Veda Krishnamurthy’s innings would have given Sehwag a few heart attacks, and Deepti Sharma gifted her wicket when the team needed it most. The rest of the team hacked mindlessly at deliveries without a care in the world, and a match that should have been won in 43 overs was left to rot and go sour.

In all honesty, India threw away a match that was right in their pocket.

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If anything, I feel bad for Mithali Raj, who deserved to win the tournament. Mithali Raj owns a string of cricketing records, including the most runs scored by a woman ever. She’s been playing for India since 1999 but has admittedly been let down by a team that never was good enough. Mithali Raj deserved to go out with a bang!

They said that this match could change the face of women’s cricket in the country. Probably. But I wish we Indians weren’t so patronising to the women’s cricket team. If anything, they need sponsors, better facilities, and following. Lots and lots of following. If you truly want to support the team, watch their matches. And take your patronising statements and shove them up your ass.

The Indian men’s cricket team is not followed due to an inherent sexism, even though we ARE a very sexist society. From the shaky 90s to the semi-confident 2000s, to the terrific 2010s, the craze for cricket has coincided with improved performances from the men’s team over the decades.

If people follow you and you do not perform, the following will wane. Look at our hockey team, now watched by lesser people than Bajrang Dal activists on Valentine’s Day. Or Altaf Raja – once the heartthrob of millions, now relegated to gutkha wrappers and pencil boxes.

On the other hand, look at sports like badminton, where women enjoy far greater following because they’ve outperformed men. The most famous male badminton player in India unfortunately, is still Jeetendra in Dhal Gaya Din, Ho Gayi Shaam.

Winner of Chennai Badminton Open

                       Winner of Chennai Badminton Open wearing Abbas Mastaan Spring Fall Collection

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After the match, I sat down to write a blog on the match. And it read like the rough draft of Dangal, on our daughters bringing pride to Mother India. But it felt wrong to post it. Because if the men’s team had lost to England in a World Cup final, I’d be furiously attacking my computer. Typing out hateful, trolly post. I’d make fun of Shikhar Dhawan’s tattoo and accuse X player of sucking K player’s cock. So why was I being Sant Tukaram now?

Trolling Sanjay Manjrekar doesn’t change the fact that Indian cricketers messed up the match big time. It doesn’t change the fact that India should have steamrolled England in the finals.

I wish the women cricket team achieves great heights and wins many tournaments in the future. But let’s face it, India’s daughters made a complete mess of this match.

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Featured Image courtesy: www.sportswallah.com

Picture showing a group of hybrid, super-efficient zombies who pass off as the Indian team today.

Why do all Indian cricketers look like each other?

Nostalgia, is a tricky monster.

Nostalgia makes people romanticise the trivial and the unpleasant. People glorify the agony of waiting a month for a telephone connection and LPG cylinder. Processing and accepting those emotions as some hogwash cathartic, life-coming-full-circle bullshit.

Cricket isn’t exempt from the vile clutches of nostalgia either.

I have met erstwhile fans who glorify the tension of watching the Indian cricket team in the 90s. Celebrate the anxiety of watching the Indian team totter and stutter their way to rare victories. ‘Glorious uncertainties’ – that term that Sunil Gavaskar dished out when we snatched defeat out of the jaws of victory in Bahubalean fashion. When S. Ramesh T. struggled to string together the winning runs while his partners strolled in and out of the pitch like drunk baaraatis. Most fans tend to romanticise these days of uncertainty, bracketing them unnecessarily under the umbrella of ‘nostalgia’.

I am not one of them. Give me ‘predictably good’ over ‘glorious uncertainty’ any day. Perhaps my brain had a premonition about my weak heart’s incapability to deal with these days for too long!

Cricket today is not just competing with Amul Surabhi and Chitrahaar. It’s competing with Netflix and Facebook and Tinder and Zomato. You don’t just have to win, you have to win while blowing my mind, or I’ll switch off. I’ll switch channels and devices and playlists and crawl far, far away from you.

I am happy with the state of the Indian cricket team today. I love the fact that after 80 years of international cricket, India is now feared and respected as a worthy adversary, like the Australian team we grew up watching. That we are counted among the top; that to beat us, you have to be top-shelf, surpass our strengths and exploit our weaknesses.

That you can’t beat India just because Sachin got out and the rest of the team has the batting skills of woodcutters. Not because chasing a big score in a final was ‘always going to be a difficult ask’. Not because, like my neighbour would say, ‘Today is Friday, Muslims will always win’.

To beat the Indian team of today, you have to be bloody good, play out of your skin. Elevate your standards to meet those of our many gods.

It’s a wonderful feeling. I am thrilled with with the state Indian cricket is in today. None of that nostalgia-vostalgia for me, thank you very much!

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However, I would like to lodge a minor complaint.

It is human nature after all, to lodge such minor complaints from time to time. Jackie Shroff essayed the role of the legendary Ram in Teri Meherbaniyan, but is only remembered for the Bidu caricature. Bob Dylan lodged complaints against the times he lived in using cutting letters and biting phrases. Chenghis Khan complained about the size of his kingdom and went about redefining the meaning of ‘Father’s Day’ for most of Asia. The British complained about the lack of spices in their salads, and I’m sitting here thousands of miles away writing articles with clickbait headlines. It is human nature to complain.

My complaint is the headline of this article. The words you saw on your Facebook feed and decided to give a chance because you saw potential – much like the selectors did with Amay Khurasia years ago –

‘WHY DO ALL INDIAN CRICKETERS LOOK THE SAME?’

The Indian cricket today is a clone army of supremely fit, spiky-haired, tattoo-sporting, muscled athletes. Their beards are all perfectly trimmed and shaped, their hair spiked to perfection, vague tattoos on their left arms – everybody looks like everybody else.

How did a nation with as much diversity as ours, all those races and ethnicities, the chutney of languages and foods and dialects – how did our entire team morph into one another?

Kohli looks like Rahul who looks like Jadeja looks like Rahane looks like Dhawan looks like Pandya looks like Rohit Sharma. Even Ashwin, who till a few years back resembled the topper who eats three tiffin compartments of curd rice in the last bench, has morphed into the army. Suresh Raina, who looks like his father owns a sweet shop on MG Road, has also gone for the beard-spike look. Dhoni, who was once a long-haired Samson who sported a paunch but ran like Minotaur, has also bought into the scheme.

Picture showing a group of hybrid, super-efficient zombies who pass off as the Indian team today.

Picture showing a group of hybrid, super-efficient zombies who pass off as the Indian team today.

Don’t get me wrong! It’s great that the Indian team is faster, stronger, sharper. But at a narrative level, it is devoid of personalities. The Indian team I grew up with was a motley crew of distinctly different personalities. Like a pirate ship with cast-away crew from different lands. You could be watching the match on a grainy 7’ x 8’ black and white television in a paan shop, but you knew who was who. You could recognise them by their gait, their posture, their throws from the boundary, their hobble across the 22 yards.

They were uncle cricketers – who could vanish into any Indian crowd. They could be members of a summer picnic of SBI employees, or a Ganesh procession.

Group of Indian men waiting for traffic police to give permission for their Ganesh to start from the colony (PC: Cricinfo)

Group of Indian men waiting for traffic police to give permission for their Ganesh to start from the colony (PC: Cricinfo)

There were the paunchy, middle-aged men – Manoj Prabhakar, Saba Karim, Ashish Kapoor – whose moustaches and mullets served as tributes to the likes of Suneil Shetty and Sudesh Berry.

Then we had the Decent Gentlemen’s Club of South Indian bowlers – Srinath, Prasad and Kumble. Tall, gangly engineers who worked hard because they had to withdraw their PPF account before Diwali.

Anil Kumble, who with spectacles and moustache, slayed opposition tailenders like they were calculus problems. Srinath, who would come running in from the 30 yard circle, apologise to the batsman for hitting him on the head, and run back to his bowling mark sweating like a marathon runner. Or Prasad, who had the legs of a giraffe and the hands of a sloth. Who woke up early, wore a digital watch, bowled his 10 overs and retired to bed early (unless you were a certain Ameer Sohail).

Picture showing Indian men having a house party when their wives are away.

Picture showing Indian men having a house party when their wives are away.

There was Sunil Joshi, whose moustache was more glorious than his bowling average. Sanjay Manjrekar with his aadarsh-baalak white helmet. Robin Singh, who looked like an honest (and hence) harassed SBI employee – hard-working, sweating, his receding hairline a reflection of his worries. There was Sidhu with the 5 Ks of Sikhism, and one ‘G’ – Grin. Sachin with his curly mop of hair. Venkatpathy Raju and Vinod Kambli, who looked like boys who hung out with the seniors in the colony. Nayan Mongia, who looked like the guy who dropped out of school after 10th and was now doing a vocational course in Industrial Technology Institute.

Schoolboys clicking a picture with their class-teacher on a picnic. PC: Reddit.

Schoolboys clicking a picture with their class-teacher on a picnic. PC: Reddit.

There were the cricketers from Mumbai, their young shoulders drooping with the burden of legacy – Pravin Amre, Sairaj Bahutule, and Sameer Dighe. There were the south Indian batsmen – Sujith Somasunder, Vijay Bharadwaj and S. Ramesh – hardworking and honest (except when Ramesh faked an injury certificate and got booted out of the team!).

And then there was Ramesh Powar, who famously declared in an interview that he was ‘fat, but fit’. Who with his portly paunch and his gold chains and coloured sunglasses looked more capable of hypnotizing batsmen than bamboozling them. Who was probably given two Test matches to play because selectors placed bets on his ability to stand for five days!!  

Then there was the boss man – shoulders hunched, latching onto the ball like it was a golden snitch, flipping the ball with his shoe and catching it – all swag and coolness – Mohammad Swaggeruddin. The man who had his collar up all the time, like the World Cup semi final was just another ‘bet-match’ between Charminar and Begumpet.

You just didn’t follow cricketers, you aped their mannerisms. I tried to flick the ball up like Azharuddin all through my childhood and only learnt to do it at age 30. Ajay Jadeja’s ‘throw the ball quickly and smile’ trick was never possible because I suck as a fielder, and smiling after a misfield makes me look like a lunatic. Laxman’s tapping on the pitch was followed by millions of kids in India.

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You can’t do that with today’s team. KL Rahul has Virat’s beard and Dhawan has his tattoos, and they’re all fit and springy and quick and efficient. Their beards are all cropped to perfection and their tattoos are all dark-green mumbo-jumbo, and they all field well and rattle opposition batsmen.

I can’t tell one from the other. Even when I watch cricket on pimple-revealing HD clarity, I have to put my bottle of beer aside, and wait for the replay to curse the rare misfield. I have nobody to ape anymore, falling back upon Mohd. Swaggeruddin’s ball-flick, and Venkatesh Prasad’s sublime fielding skills.

It’s only a minor complaint, I know. But I’m only human, saar.

Like Sadagopan Ramesh.

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